To give an example of the workmanship shown, there was a rosary betnuss which was a round box that when opened had about four panels folded inside of it and which was carved in minute detail with scenes taken from the bible in boxwood. Further information given stated that the time taken to carve it all was approximately fifteen years! That is dedication to your craft.
The jewellery and regalia were no less impressive but were of the time that they created in, using gold and beautiful stones. I preferred the look of the medieval-based jewellery as it has both the mark of the marker on the pieces and also they didn't try to make everything in perfect symmetry but worked with a stones natural shape as opposed to say jewellery from the 19th century where stones were faceted and of more regular shape and size. This reminded me of a kind of homogenised, go-anywhere-look that could be found in any court in Europe, H&M of their day perhaps?
While many people going through seemed only seemed interested in the shiny, pretty and sparkly stuff, there were other items that were just as interesting for me. There was a room that showed off an impressive collection of rock crystal carved tableware that had been etched and engraved, and also tableware craved out of stone such as malachite. Some pieces were so thin that you wondered how many had been broken so just one could be created.
The Residence itself was no less impressive and the room that stood out was the reliquary, where from centuries of collecting there was pieces of bodies and items belonging to saints and people from the bible. The work for housing the items was no less impressive than that in the Treasury but I guess in our more secular times also a little disturbing especially the coffin displayed in the middle of the room that housed an infants body. For me it was sad as well for it felt as though these people, whoever they were, hadn't been given a chance to rest in peace.
Clare
All images taken from The Treasury, Munich.
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